On a Saturday in early October, I attended the Long Take Collective’s From the Seat of a Canoe. That afternoon I floated along the Seine River with my paddling companions while actors, dancers and tiny art installations passed serenely by.
A few weeks later, I meet the show’s creator, Leigh Anne Parry, for a quiet drink at The Handsome Daughter. She’s fresh off wrapping yet another interactive performance piece, a blindfolded gourmet dinner with limited seatings. She’s preparing to leave the city for a few months to stay in a cabin with friends on the southern tip of Lake Winnipeg. They’re hauling a load of music equipment up with them. “I’m not a musician, but we’re going to play music together every day. I think it’s good for you,” she tells me in soft, measured tones.
Over the course of our hour together, we chat about living in Winnipeg, interconnections between art and science, and of course, From the Seat of a Canoe.
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